top of page


from November 19  to November 26, 2015


The color black is often associated in our culture with elegance, darkness and sophistication. The color black relates to the hidden, the secretive and the unknown, it keeps things bottled up inside, hidden from the world. Black applies to us as a color of suffering and death.  Black is the absorption of all color and the absence of light.

Black hides.


That a male-dominated society hides the beauty and grace of their women acts under a black, shapeless cloth that irritating us. 

These women are not authorized to challenged authority in an operative environment that severely constrains their role and imposes enormous restrictions on their daily behavior. These women are wearing an uniform - a black uniform – that does not allowed personalities.


A sea of black-clad women engulfs us. What evokes this engulfment? Who hides behind this black clothes? A statement, which refers mainly to the female part of society. A form of oppression towards women because it keeps the women from being viewed equal to men. It’s just a male production with female actresses. And it’s not – unfortunately -the result of a cross-gender acting. 


A yellow raincoat sets a light among the darkness. The swift succession of two-dimensional image pairs – black and yellow- creates spatial effects that remain unstable to the last. It’s like an hypersensitive dance in which the carachters are searching a physical symbiosis. It’s like a stage, where the artist creates opportunities for ‘thinking differently’ and expanding the borders. Encounters and approaches are suddenly possible.


Cultural differences are immediately visible on all sides and require a large degree of tolerance and understanding but when we are naked, it’s like we are all the same. Underneath each cloth a man is a man, without no rules and no gender questions. 


Where are the ambivalences now? 


Angela Matarise 2015 || curator

Marianne Mettler


bottom of page